[et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” background_color=”#d20032″ custom_padding=”0px||100px||false|false” da_disable_devices=”off|off|off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row make_equal=”on” _builder_version=”4.16″ _module_preset=”default” background_enable_color=”off” width=”100%” max_width=”2560px” max_width_tablet=”2560px” max_width_phone=”2560px” max_width_last_edited=”on|desktop” custom_padding=”0px||0px|||” locked=”on” global_colors_info=”{}” max_width__hover_enabled=”on|desktop” max_width__hover=”2560px”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” background_color=”#d20032″ global_colors_info=”{}”][et_pb_text _builder_version=”4.23.4″ _module_preset=”default” text_font=”Titres Pause||||||||” text_text_color=”#FFFFFF” text_font_size=”78px” transform_translate_linked=”off” transform_rotate=”0deg|0deg|-10deg” text_orientation=”center” custom_margin=”100px||100px||false|false” custom_margin_tablet=”” custom_margin_phone=”” custom_margin_last_edited=”on|desktop” text_font_size_tablet=”78px” text_font_size_phone=”50px” text_font_size_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n
RESTRICA<\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row make_equal=”on” _builder_version=”4.16″ _module_preset=”default” background_color=”#d20032″ background_enable_image=”off” width=”70%” max_width_tablet=”2560px” max_width_phone=”2560px” max_width_last_edited=”on|desktop” module_alignment=”center” custom_padding=”0px||0px||false|false” global_colors_info=”{}” max_width__hover_enabled=”on|desktop” max_width__hover=”2560px”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” background_color=”#FFFFFF” background_enable_image=”off” background_size=”contain” background_position=”top_left” custom_padding=”40px|5%|40px|5%|false|false” global_colors_info=”{}”][et_pb_text _builder_version=”4.23.4″ _module_preset=”default” custom_margin=”||||false|false” hover_enabled=”0″ content_en_us=”<\/p>\n
RESTRICA (Regards sur les exils scientifiques contraints d’hier et d’aujourd’hui)<\/strong> is a project of photographic portraits conducted in collaboration with the PAUSE programme. This photographic and interview work is co-directed by Berlin-based photographer Pierre-J\u00e9r\u00f4me Adjedj<\/strong> and Pascale Laborier<\/strong>, professor of political science at the Universit\u00e9 Paris-Nanterre.<\/span><\/p>\n Since December 2018, they have been meeting with researchers in situations of forced exile to testify about their singular experience. They contribute through images and words to make them visible and bear witness to what they have lost: objects, places, a home, friends, colleagues.<\/span><\/p>\n ” border_color_top=”#e5e5e5″ global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n RESTRICA (Regards sur les exils scientifiques contraints d\u2019hier et d\u2019aujourd\u2019hui)<\/strong> est un projet de portraits photographiques men\u00e9 en collaboration avec le programme PAUSE. Ce travail photographique et d\u2019entretiens est cor\u00e9alis\u00e9 par le photographe berlinois Pierre-J\u00e9r\u00f4me Adjedj<\/strong> et Pascale Laborier<\/strong>, professeure de science politique \u00e0 l\u2019Universit\u00e9 Paris-Nanterre.<\/span><\/p>\n \u00a0<\/span><\/p>\n Depuis d\u00e9cembre 2018, ces derniers rencontrent des chercheurs et chercheuses en situation d\u2019exil contraint<\/strong> pour t\u00e9moigner de leur exp\u00e9rience singuli\u00e8re. Ils contribuent par l\u2019image et les mots \u00e0 les rendre visibles et \u00e0 t\u00e9moigner de ce qu\u2019ils ont perdu : des objets, des lieux, une maison, des amis, des coll\u00e8gues.<\/span><\/span><\/p>\n [\/et_pb_text][et_pb_button button_url=”https:\/\/www.standingforfreedom.eu\/” button_text=”Visiter le site du projet” button_alignment=”center” _builder_version=”4.23.4″ _module_preset=”default” custom_button=”on” button_text_size=”18px” button_text_color=”#FFFFFF” button_bg_color=”#d20032″ button_border_width=”3px” button_font=”||||||||” background_layout=”dark” custom_margin=”20px||0px||false|false” hover_enabled=”0″ button_text_en_us=”Visit RESTRICA website” button_url_en_us=”https:\/\/www.standingforfreedom.eu\/” global_colors_info=”{}” button_border_radius=”18px” button_letter_spacing=”1px” sticky_enabled=”0″][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row make_equal=”on” _builder_version=”4.16″ _module_preset=”default” background_color=”#d20032″ background_enable_image=”off” width=”70%” max_width_tablet=”2560px” max_width_phone=”2560px” max_width_last_edited=”on|desktop” module_alignment=”center” custom_margin=”20px||||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}” max_width__hover_enabled=”on|desktop” max_width__hover=”2560px”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” background_color=”#FFFFFF” background_enable_image=”off” background_size=”contain” background_position=”top_left” custom_padding=”40px|5%|40px|5%|false|false” global_colors_info=”{}”][et_pb_text _builder_version=”4.23.4″ _module_preset=”default” custom_margin=”||||false|false” hover_enabled=”0″ content_en_us=”<\/p>\n <\/p>\n \u00a0<\/span><\/p>\n %22We started with this simple question, which did not admit of a simple or unique answer. The answer was only conceivable in dialogue and co-construction, requiring the elaboration of an ad hoc creation process.<\/span><\/p>\n <\/p>\n \u00a0<\/span><\/p>\n From this preliminary reflection came a process allowing the juxtaposition of elements (objects and photos) to the face that restore the history of the person photographed. These photos representing the country of origin and the host country and these objects, personal or related to the field of research, are placed together in the device and superimposed at the time of the shooting (i.e. without any subsequent photomontage).<\/span><\/p>\n <\/p>\n \u00a0<\/span><\/p>\n Each time the camera is triggered, an attempt is made to create a palimpsest through transparencies, where the different layers respond to each other in a way that goes beyond what the photographer and the subject had envisaged. The process was repeated until each person had %22the best of the imperfect photos%22, like an eternally provisional result.%22<\/span><\/p>\n <\/p>\n Pierre-J\u00e9r\u00f4me Adjedj et Pascale Laborier<\/em><\/strong><\/span><\/p>\n ” border_color_top=”#e5e5e5″ global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n Qu\u2019est-ce qu\u2019un portrait qui chercherait \u00e0 signifier l\u2019exil, dont l\u2019ambition serait de d\u00e9passer le constat ?<\/strong><\/span><\/p>\n \u00a0<\/span><\/p>\n \u00ab Nous sommes partis de cette question simple, qui n\u2019admettait de r\u00e9ponse ni simple ni unique. La r\u00e9ponse n\u2019\u00e9tait pensable que dans le dialogue et la co-construction, n\u00e9cessitait l\u2019\u00e9laboration d\u2019un processus de cr\u00e9ation ad hoc.<\/span><\/p>\n \u00a0<\/span><\/p>\n De cette r\u00e9flexion pr\u00e9alable est sorti un proc\u00e9d\u00e9 permettant de juxtaposer au visage des \u00e9l\u00e9ments (objets et photos) qui restituent l\u2019histoire de la personne photographi\u00e9e. Ces photos repr\u00e9sentant le pays d\u2019origine et le pays d\u2019accueil et ces objets, personnels ou relatifs au domaine de recherche, sont mis en place ensemble dans le dispositif et superpos\u00e9s \u00e0 la prise de vue (c\u2019est-\u00e0-dire sans photomontage post\u00e9rieur).<\/span><\/p>\n \u00a0<\/span><\/p>\n \u00c0 chaque d\u00e9clenchement de l\u2019appareil correspond une tentative de cr\u00e9er par transparences un palimpseste o\u00f9 les diff\u00e9rentes couches se r\u00e9pondent d\u2019une fa\u00e7on d\u00e9passant ce que le photographe et le sujet avaient envisag\u00e9. La d\u00e9marche a \u00e9t\u00e9 r\u00e9p\u00e9t\u00e9e jusqu\u2019\u00e0 obtenir pour chaque personne \u201cla meilleure des photos imparfaites\u201d, comme un r\u00e9sultat \u00e9ternellement provisoire. \u00bb<\/span><\/p>\n \u00a0<\/span><\/p>\n Pierre-J\u00e9r\u00f4me Adjedj et Pascale Laborier<\/em><\/strong><\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row make_equal=”on” _builder_version=”4.16″ _module_preset=”default” background_color=”#d20032″ background_enable_image=”off” width=”70%” max_width_tablet=”2560px” max_width_phone=”2560px” max_width_last_edited=”on|desktop” module_alignment=”center” custom_margin=”20px||||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}” max_width__hover_enabled=”on|desktop” max_width__hover=”2560px”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” background_color=”#FFFFFF” background_enable_image=”off” background_size=”contain” background_position=”top_left” custom_padding=”40px|5%|40px|5%|false|false” global_colors_info=”{}”][et_pb_text _builder_version=”4.23.4″ _module_preset=”default” custom_margin=”30px||||false|false” hover_enabled=”0″ content_en_us=”<\/p>\n April 30, 2020 marked the 300th day of imprisonment in Iran of the French-Iranian researcher Fariba Adelkhah<\/strong>. That evening, Pascale Laborier<\/strong>‘s documentary %22\u00c0 bas les grillages%22 (2020)<\/strong>, directed with the participation of Pierre-J\u00e9r\u00f4me Adjedj<\/strong> and B\u00e9atrice Hibou<\/strong>, was screened in front of the Paris office, as part of the #chezmaddalena project, in tribute to Fariba and other victims of dictatorial regimes. #chezmaddalena<\/strong> is a spontaneous initiative of wall projections made from the home of the artist Romina De Novellis<\/span><\/a> during the confinement related to the pandemic of covid-19 in France.<\/span><\/p>\n <\/p>\n \u00a0<\/span><\/p>\n %22\u00c0 bas les grillages%22 deals with exile, confinement, migrants, researchers in danger, a long sequence is dedicated to Fariba Adelkhah. The photos of the RESTRICA project are also presented.<\/span><\/p>\n ” border_color_top=”#e5e5e5″ global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n Le 30 avril 2020 a marqu\u00e9 le 300\u00e8me jour d\u2019emprisonnement en Iran de la chercheuse franco-iranienne Fariba Adelkhah<\/strong>. Ce soir-l\u00e0, le documentaire de Pascale Laborier<\/strong> \u00ab \u00c0 bas les grillages \u00bb (2020)<\/strong>, r\u00e9alis\u00e9 avec la participation de Pierre-J\u00e9r\u00f4me Adjedj<\/strong> et B\u00e9atrice Hibou<\/strong>, a \u00e9t\u00e9 projet\u00e9 en fa\u00e7ade \u00e0 Paris, dans le cadre du projet #chezmaddalena, en hommage \u00e0 Fariba et \u00e0 d\u2019autres victimes des r\u00e9gimes dictatoriaux.\u00a0<\/strong>#chezmaddalena<\/strong> est une initiative spontan\u00e9e de projections murales r\u00e9alis\u00e9es depuis le logement de l\u2019artiste<\/span>\u00a0<\/span>Romina De Novellis<\/span><\/a>\u00a0durant le confinement\u00a0li\u00e9 \u00e0 la pand\u00e9mie de la covid-19\u00a0en France.<\/span><\/p>\n \u00a0<\/span><\/p>\n \u00ab \u00c0 bas les grillages \u00bb\u00a0traite de l\u2019exil, de l\u2019enfermement, des migrants, des chercheurs en danger, une longue s\u00e9quence est d\u00e9di\u00e9e \u00e0 Fariba Adelkhah. Les photos du projet RESTRICA y sont \u00e9galement pr\u00e9sent\u00e9es.<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row make_equal=”on” _builder_version=”4.16″ _module_preset=”default” background_color=”#d20032″ background_enable_image=”off” width=”70%” max_width_tablet=”2560px” max_width_phone=”2560px” max_width_last_edited=”on|desktop” module_alignment=”center” custom_margin=”20px||||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}” max_width__hover_enabled=”on|desktop” max_width__hover=”2560px”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” background_color=”#FFFFFF” background_enable_image=”off” background_size=”contain” background_position=”top_left” custom_padding=”40px|5%|40px|5%|false|false” global_colors_info=”{}”][et_pb_text _builder_version=”4.23.4″ _module_preset=”default” custom_margin=”30px||||false|false” hover_enabled=”0″ content_en_us=”<\/p>\n <\/p>\n %91embed%93https:\/\/www.youtube.com\/watch?v=qCsbzoXeSRE%91\/embed%93<\/p>\n <\/p>\n The exhibition %22Standing for Freedom: Portraits of Scientists in Exile%22<\/strong> was launched in January 2021 at the Cit\u00e9 du Design in Saint-\u00c9tienne. The exhibition was then displayed in various academic institutions in Germany and France. In 2024, it was installed at the Massasychets Institute of Technology, Boston, followed by Sobronne Universit\u00e9’s Faculty of Science and Engineering.<\/span> ” border_color_top=”#e5e5e5″ global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n
\n\u00a0<\/span><\/p>\nArtistic approach<\/span><\/h2>\n
What is a portrait that would seek to signify exile, whose ambition would be to go beyond the statement?<\/strong><\/span><\/p>\nD\u00e9marche artistique<\/span><\/h2>\n
Short film \u00ab \u00c0 bas les grillages \u00bb<\/span><\/h2>\n
Le documentaire \u00ab \u00c0 bas les grillages \u00bb<\/span><\/h2>\n
The exhibition<\/span><\/h2>\n
\u00ab Standing for freedom : portraits of scientists in exile \u00bb<\/span><\/h2>\n
<\/span><\/p>\nL’exposition itin\u00e9rante<\/span><\/h2>\n
\u00ab Poser pour la libert\u00e9 : portraits de scientifiques en exil \u00bb<\/span><\/h2>\n